Autumn Days (Keats House, Hampstead)

cut paper collage

Amanda White

Bronte Moon by Amanda White
(cut paper collage)

Calm Before the Storm
(acrylic on canvas)
Amanda White

After The Waves

(Virginia Woolf’s “writing lodge” in the garden of Monk’s House)

cut paper collage by Amanda White

It was here, in July 1931, that Leonard came out to tell his wife that The Waves, the manuscript of which he had just finished reading, was a masterpiece.

36 Craven Street

(The London lodgings of Ben Franklin)

cut paper collage by Amanda White

Autumn Days

cut paper collage by Amanda White

Wentworth Place, Hampstead (now the Keats House museum)

She Was Not a Woman in the First Flight of Society

cut paper collage by Amanda White

She Kept Her Political Views and Radical Past to Herself

(cut paper collage)

Amanda White

festeszet:

Léonard Tsugouharu Foujita (1886-1968), Chat Couché, 1918

no-secret-sphinxes:

Moonlit Seascape, Alfred Stevens, 1892

darksilenceinsuburbia:

Dod Procter, Aunt Lilla, 1943

museumuesum:

John Constable

Study of Clouds, looking S.E. noon. Wind very brisk. & effect bright & fresh. Clouds. moving very fast. With occasional very bright openings to the blue, Sepr. 5. 1822

oil on paper, 29.8 x 48.3 cm

she-wrote-the-sky:

My beloved Carrington

From the National Portrait Gallery

furtho:

Eric Ravilious’ The Wilmington Giant, 1939

bostonpoetryslam:

The first page of John Keats’ draft of “Hyperion”